La Badia di Cava e le sue dipendenze nel Mezzogiorno dei secoli XI-XII’, Cava de’ Tirreni, Badia della SS. I,53 della Biblioteca Nazionale Marciana. ), Synergies in Visual Culture / Bildkulturen im Dialog, Munich, Wilhelm Fink, 2013, 325–38. Fabio Calamai, Facebook पर है. Archaeological Methods and Approaches: Ancient Industry and Commerce in Italy (Roma, American Academy in Rome / École Française de Rome, 18 – 20 aprile 2002), British Archaeological Reports-IS 1262, Oxford, British Archaeological Press, 2004, 214–18. 2018 Public lecture, Hans Belting Library, Masaryk University, Brno. 1992 Santa Maria Maggiore a Lanciano e i cantieri cistercensi in Abruzzo, in ‘Rivista Cistercense’, 9/2 (1992), 147–87. 2003 Parvenus eclettici e il canone estetico della varietas. (DISPAC), Università di Salerno, Italy; affiliated scholar at School of History and Cultures, College of Arts and Law, University of Birmingham. März 1965 in New York City, New York[1]; 13. 2010 Conference ‘Hands on: Seven perspectives on the material transformation of art’, London, Courtauld Institute of Art. 2013 Evening public lecture, Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte, Rome. 2016– Initiator, research project ‘At the Crossroads of Empires: the Longobard Church of Saint'Ambrogio at Montecorvino Rovella, Italy’, a collaborative project: Università di Salerno, University of Birmingham, Comune di Montecorvino Rovella. 1999 Glasherstellung im Kloster San Vincenzo al Volturno, in 799-Kunst und Kultur der Karolingerzeit. 1996 BA+MA degree in Arts and Humanities, thesis in History of Medieval Art and Archaeology, Università di Firenze, supervisors: A. Peroni, G. Vannini, J. Mitchell (UEA, Norwich), 110/110 summa cum laude. 2013 Shoptalk, Dumbarton Oaks Center for Byzantine Studies-Harvard University. Genoa, Museo Diocesano, 2004), Milan, SKIRA, 2004, 157–160,175–89. A Notebook from the Workshop Convened in Amalfi (December 10–13, 2009), Quaderni del Centro di Cultura e Storia Amalfitana 5, Amalfi, Centro di Cultura e Storia Amalfitana, 2011. 2019 Forum Moving Byzantium XVIII, Department of Byzantine and Modern Greek Studies, University of Vienna. Logg Dich ein, um alle Einträge zu sehen. 2003 Parvenus eclettici e il canone estetico della varietas. (DISPAC), Università di Salerno. 2021 key-speaker at the international conference ‘The Virgin beyond borders’, Oxford, Ioannou Centre. 2014–17 Associate for Italy, Board of Directors, ICMA–International Center of Medieval Art, NYC. ), ‘Conosco un ottimo storico dell’arte…’. 2003 …Mundus habet noctem, detinet aula diem. presso il monastero di San Vincenzo al Volturno (Molise), in Atti delle 2e giornate nazionali di studio. Scoperte, produzione, commercio, iconografia. Studi e Ricerche di Archeologia e Storia dell’Arte 3. Gr. Arte Simbolo Tecnica, Collana di studi sul colore 3, Lucca, Istituto Storico Lucchese–Scuola Normale Superiore di Pisa–Corpus Vitrearum Medii Aevi Italia, 2001, 195–211. ), Pseudo-Dionysius and Christian Visual Culture, c.500–900. 2004 La figure de l'architecte: à propos d'une inscription salernitaine de 1156, in D. Sandron (ed.) ), The ‘Amalfi’ and the ‘Salerno’ Ivories and the Arts in the Medieval Mediterranean. Vademecum, Opere e Territorio: Vademecum 1, Amalfi, Centro di Cultura e Storia Amalfitana, 2016. ), The Salerno Ivories. 2013 Ambrogio Autperto e la Cripta di Epifanio nella storia dell’arte medievale, in F. Marazzi (ed. 1999 Annual conference, Italian committee of the Association Internationale pour l'Histoire du Verre, Massa Martana (Perugia). ), Iuxta flumen Vulturnum. 2002 Dumbarton Oaks Center for Byzantine Studies-Harvard University, Summer Fellowship ($ 1.200). 2018 Public lecture, Hans Belting Library, Masaryk University, Brno. Milano 14-15 Dicembre 1996, Milan, Comune di Milano, Settore Cultura e Musei-Civiche Raccolte Archeologiche, 1998, 201–06. di Bernareggi & C., 2001, 79–85. 2014 Italian national qualification as Associate Professor in History of Art (ASN 2012), valid until Feb 2023. 2012 Il volto di Cristo e il dilemma dell'artista: un esempio di IX s., in M. M. Donato, M. Ferretti (eds. Hansen (eds.) | Cited by 583 | of INFN - Istituto Nazionale di Fisica Nucleare, Frascati (INFN) | Read 173 publications | Contact Francesco CELANI Three conferences were held and hosted by the Centro di Cultura e Storia Amalfitana, Amalfi (2009), the Dumbarton Oaks Center for Byzantine Studies-Harvard University (2011), the Kunsthistorisches Institut/Max-Planck-Institut Florenz (2012). L. James, O. Nicholson, R. Scott, Abingdon, Routledge. 2013 Shoptalk, Dumbarton Oaks Center for Byzantine Studies-Harvard University. 2013 L’acqua nella memoria sacra di Edessa attraverso la cornice del Mandylion di Genova, in R. Morosini, C. A. Lee (eds. ), Die Klosterkirche Corvey Band 1.1 Geschichte und Archäologie, Denkmalpflege und Forschung in Westfalen Band 43.1.1, Darmstadt, Philipp von Zabern, 2012, 415–35. Entries in encyclopedias and exhibition catalogues. ), in F. Sogliani, C. Piccioli (eds. Create New Account. 2004 Le quattro lamine di rivestimento in filigrana, and La legatura del Cod. ), Vitrail, verre et archéologie entre le ve et le xiie siècle, Archéologie et histoire de l’art 31, Paris, CTHS, 2010, 15–20. Del costruire: tecniche, artisti, artigiani, committenti, Turin, Einaudi, 2003, 685–90. Vademecum, Quaderni del Centro di Cultura e Storia Amalfitana 8 - Opere e Territorio: Vademecum 1, Amalfi, Centro di Cultura e Storia Amalfitana, 2015. 2012 Il volto di Cristo e il dilemma dell'artista: un esempio di IX s., in M. M. Donato, M. Ferretti (eds. ), Paris, Geuthner, 283–311. 2019 Mary as ‘scala caelestis’ in Eighth and Ninth Century Italy, in The Reception of the Mother of God in Byzantium: Marian Narratives in Texts and Images, M. B. Cunningham, T. Arentzen (eds. 2015 Oxford Patristic Conference, Oxford University. ), The Salerno Ivories. Cilento Dreams. 2016 World Art Research Seminars, Norwich, University of East Anglia. I convened it at the SISMEL (Società Internazionale per lo Studio del Medioevo Latino) in Florence (2014), and at the International Medieval Congress in Leeds (2015) sponsored by the ICMA–International Center of Medieval Art and the Kress Foundation. 2013 Seminar LABOR, Florence, Kunsthistorisches Institut/Max-Planck-Institut Florenz. Tritt Facebook bei, um dich mit Francesco Calamai und anderen Nutzern, die du kennst, zu vernetzen. The ‘Magdalene and Thomas’ Plaque in the Salerno Ivories, in E. Palazzo (ed. 2016 Plaster Transennae and the Shaping of Light in Byzantium, in S. Balcon-Berry, B. Boissavit-Camus, P. Chevalier (eds. 2019 Una pieve della Langobardia minor e il trionfo dell’Iconofilia? 2013 International conference ‘Les cinq sens au Moyen Age (II)’, Université de Poitiers. Milano e suoi santi in Langobardia Minor nel IX secolo, in Lo sguardo di Orione. 2018 Monday Seminars, Department of Byzantine and Modern Greek Studies, University of Vienna, 2018 Wednesday Seminars, School of Archaeology and Ancient History, University of Leicester. ), Artifex bonus. Facebook. In Il fuoco nell’alto medioevo. Il vetro nelle architetture di Brescia, Cividale, Salerno, San Vincenzo al Volturno, Farfa. 2015 Annual Art History Research Seminar, Oslo University. Mélanges d'archéologie, d'art et d'histoire en l'honneur de Christian Sapin, Bibliothèque de l'Antiquité Tardive-BAT 29, Turnhout, Brepols, 2016, 337–47. 2011 22nd International Congress of Byzantine Studies, Sofia. 2008 International conference ‘Topografia della memoria: in viaggio con Sindibad tra spazio e tempo nel Mediterraneo’, Venice, Casa Artom, Wake Forest University. SPEDIZIONI GRATUITE PER ORDINI SUPERIORI O PARI A 59€ Il mio Account; Il mio Account. Guarda il profilo completo su LinkedIn e scopri i collegamenti di Francesco e le offerte di lavoro presso aziende simili. 2015–17 European Commission, Marie Skłodowska-Curie Fellowship n° 657240 (‘ICONOPHILIA’) – Horizon 2020 Framework Programme for Research and Innovation (2014-20) (c. E 198.000). ), in ‘Rassegna Storica Salernitana’, 37 (2002), 9–35. 2019 Evening public lecture, Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte, Rome. 2005 Les vitraux du monastère de San Vincenzo al Volturno (région du Molise, Italie centrale), in D. Foy (ed. 2002 International conference ‘Art and Form in Norman Sicily’, Rome, Bibliotheca Hertziana and British School at Rome. 1996 BA+MA degree in Arts and Humanities, thesis in History of Medieval Art and Archaeology, Università di Firenze, supervisors: A. Peroni, G. Vannini, J. Mitchell (UEA, Norwich), 110/110 summa cum laude. 2004 Glassmakers in the West between Antiquity and Middle Ages, and Lux et vitrum: The Evolution of Stained Glass from the Late Roman Empire to the Gothic Age, in M. Beretta (ed. 2019 Magnificat. 2012 Carlomagno, la conversione dei Sassoni e il Westwerk di Corvey, in R. Fiorillo, C. M. Lambert (eds. Arte Simbolo Tecnica, Collana di studi sul colore 3, Lucca, Istituto Storico Lucchese–Scuola Normale Superiore di Pisa–Corpus Vitrearum Medii Aevi Italia, 2001, 195–211. ), Pompei, 22-25 Marzo 2000, Rome, A.I.S.C.O.M., 2001, 417–26. Università degli Studi di Salerno - Via Giovanni Paolo II, 132 - 84084 Fisciano (SA), https://unisa.academia.edu/FrancescaDellAcqua, Pseudo-Dionysius and Christian Visual Culture, c.500–900, The Salerno Ivories. 2016 World Art Research Seminars, Norwich, University of East Anglia. Testimonianze storiche e monumentali. 2010 Conference ‘Hands on: Seven perspectives on the material transformation of art’, London, Courtauld Institute of Art. 2015 La vetratina con Cristo, in F. Marazzi, A. Luciano (eds. 2019 Conference Iconographiae, Università Ca’ Foscari, Venice. 1999 Annual conference, Italian committee of the Association Internationale pour l'Histoire du Verre, Massa Martana (Perugia). ), Medioevo/Medioevi. Karl der Grosse und Papst Leo III. ), Medioevo letto, scavato, rivalutato. Gli scavi lungo il fronte fluviale di San Vincenzo al Volturno, Collana di Studi Vulturnensi 7, Cerro al Volturno, Volturnia, 2015, 135–44. 2006 Glass and Natural Light in the Shaping of Sacred Space in the Latin West and in the Byzantine East, in A. M. Lidov (ed. 1994 Free-Mover Erasmus Grant, European Commission, in order to spend a semester at the University of East Anglia, Norwich. Bord, V. Debiais (eds. ), Many Romes. 2016 Medieval Work-in-Progress Seminars, London, Courtauld Institute. 2013 Bibliotheca Hertziana/Max-Planck Institut für Kunstgeschichte, Rome, Summer stipend (E 3.200). 2021 Beyond Human Grasp. Sciences and Crafts facing Glass from Graeco-Roman Antiquity to Early Modern Era, Biblioteca di Nuncius: studi e testi 53, Florence, Olschki Editore, 2004, 135–50, 221–48. 2020 Italian national qualification as Associate Professor in History of Art (ASN 2018–20), valid until Jan 2029. 2008 Between Nature and Art: ‘Transparent Streams of a New Liquid, in ‘RES-Anthropology and Aesthetics’, 53–54 (2008), 93–103. Calderoni Masetti (eds. 2017 The Carbunculus (Red Garnet) and the Double Nature of Christ in the Early Medieval West, in ‘Konsthistorisk tidskrift / Journal of Art History’ 86/3 (2017), 158–72. ), Arti e tecniche del Medioevo, Turin, Einaudi, 2006, 312–26. A. Cutler, F. Dell’Acqua, H. L. Kessler, A. Shalem, G. Wolf, Berlin, 2016 (c. E 40.000). Ambrogio Autperto, il rifiuto di Platone e l’eco dell’Iconoclasmo bizantino, in Il secolo di Carlo Magno. 2013 Seminar LABOR, Florence, Kunsthistorisches Institut/Max-Planck-Institut Florenz. 2016 member, selecting committee, panel Culture and Cultural Production (SH5), ERC Starting Grants 2016. Mann Verlag | Deutscher Verlag für Kunstwissenschaft, 2016, 211–39. The Authority of the Virgin Mary and Female Moral–Doctrinal Authority in the Middle Ages’; the eighth-paper session will lead to the constitution of a research group under my direction. International Colloquium of the Corpus Vitrearum (Zurich, 30th of June -4th of July 2008), Bern, Peter Lang AG, 2010, 11–22. Bei der Art der Beziehung kann es sich beispielsweise um eine Position als Manager, Geschäftsführer oder Gesellschafter handeln.
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